What actually IS free to a good home?

Okay, I think we can all agree that Feist has gotten enough attention (deservedly so by the way) and the same can be said for Stars’ new record. I’ve also recently covered Amy Millan’s solo work, but there is one more female vocalist in Broken Social Scene.

I’m talking about the ever-lovely Emily Haines of course. And although a Metric post is long overdue (their first album has recently been re-released) I wanted to talk about her solo work (well, together with her backing band The Soft Skeleton).

June saw the release of her album 'Knives Don’t Have Your Back' in Europe and the UK and in July the outtakes EP ''What Is Free To A Good Home?' (I don’t know, what is? No seriously, I have no idea) was released. 'Knives Don’t Have Your Back' is a criminally overlooked record full of dark nocturnal piano-driven songs with beautiful lyrics (her father was an admired poet) that cut you like…well…knives. And the incredible part isn’t that the album is quite far removed from the rock-attitude and cleverness she shows in new wave band Metric. The impressive thing is that the 'What Is Free To A Good Home?' EP is EVEN BETTER! Seriously; I listened to it two times a day for at least two weeks and still come back to it frequently. Do yourself a favor and listen to this:


The video for Our Hell is as disturbing as the song: Emily Haines & The Soft Skeleton – Our Hell (video)

Take her to the bank, take her to the bar: Emily Haines & The Soft Skeleton – The Bank

Also from the EP: Emily Haines & The Soft Skeleton – Bottom of the World (mp3) (mypsace)